FUND STORAGE OF EASEL PAINTING IN ART MUSEUMS AND INTRODUCTION OF ‘RECORDING AND STORAGE INSTRUCTIONS’ IN THE 1950s – 1960s OF THE 20TH CENTURY

Authors

  • Ірина Марченко Center for Monument and Museum Studies, National Academy of Sciences of Ukraine and Ukrainian Society for the Protection of Monuments of History and Culture (Kyiv, Ukraine)

Abstract

The article is about preventive conservation in art museums during the 50-60-s based on the data from Kyiv Central State Archives of Supreme Bodies of Power and Government of Ukraine. Particular attention is paid to the introduction of the first national ‘Recording and Storage Instructions’ for museums. The author analyzes the nature and dynamics of changes in the field of artistic monuments storage since the introduction of the ‘Instructions’.
Keywords: storage, fund work modernization, preventive conservation, art museums, Recording and Storage Instructions

Author Biography

Ірина Марченко, Center for Monument and Museum Studies, National Academy of Sciences of Ukraine and Ukrainian Society for the Protection of Monuments of History and Culture (Kyiv, Ukraine)

Applicant for degree

Науковий вісник НМІУ

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Published

2018-12-02

How to Cite

Марченко, І. (2018). FUND STORAGE OF EASEL PAINTING IN ART MUSEUMS AND INTRODUCTION OF ‘RECORDING AND STORAGE INSTRUCTIONS’ IN THE 1950s – 1960s OF THE 20TH CENTURY. Scientific Bulletin of the National Museum of Ukrainian History, (3), 539-542. Retrieved from https://visnyk.nmiu.org/index.php/nv/article/view/257

Issue

No. 3 (2018): Scientific Bulletin of the National museum of the History of Ukraine

Section

Articles

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